Henri J.M Nouwen

Forgiveness is the name of love practiced among people who love poorly. The hard truth is that all people love poorly. We need to forgive and be forgiven every day, every hour increasingly. That is the great work of love among the fellowship of the weak that is the human family.

― Henri J.M. Nouwen

Hélène Cixous — The Vale of Soul-Making

I have flowed, become stagnant, festered, I have fallen from above. Mass, rhythmic, in harmony with my millions of drops, I have rained. I have been earth with the earths. Foaming, humid, I have slept a faceless face down. I have. Had. Lived. Done. Been. All the words that grow before the tip of the tongue, before I reach it. I am a body who has enjoyed creation.

— Hélène Cixous, White Ink: Interviews on Sex, Text, and Politics (European Perspectives: A Series in Social Thought and Cultural Criticism). Published by Columbia University Press; 1 edition (November 6, 2008)

Hélène Cixous — The Vale of Soul-Making

Reading Derrida: memories of Roland Barthes #Derrida #Barthes — Kaggsy’s Bookish Ramblings

Although I have read an *awful* lot of books during my lifetime, there are many authors who are still a bit intimidating and whom I’m nervous of approaching; Roland Barthes was one of those, and although I love what I’ve read, he’s definitely not the easiest of reads. However, even scarier is Jacques Derrida; nevertheless, […]

Reading Derrida: memories of Roland Barthes #Derrida #Barthes — Kaggsy’s Bookish Ramblings

Totem Press, Yugen – Imamu Amiri Baraka — 1960s: Days of Rage

Charles Olson, Projective Verse (1959). Cover by Matsumi Kanemitsu. “On the same small offset press, and as an arm of his magazine Yugen, LeRoi Jones’s Totem Press imprint published thirteen pamphlets, beginning with Diane di Prima’s This Kind of Bird Flies Backward in 1958. The press also published work by Ron Loewinsohn (Watermelons, 1959), Michael […]

Totem Press, Yugen – Imamu Amiri Baraka — 1960s: Days of Rage

In search of the bohemian….

Reflecting philosophically, I have often attempted to examine the notion of bohemianism, to pin it down to some sort of tangible set of ideals and identities: all attempts have thus failed save to say that bohemianism is more a state of mind than anything else…
A friend of mine some time ago told me an anecdote about a group of Italian anarchists who turned up at a protest rally dressed in fine business suits. This clash of images provoked a completely perplexed response from the authorities who could not reconcile their dress code with the contradiction in their actual intentions.
Thus, bohemianism, like anarchism, should best be reserved as a ‘technique of mind’ rather than a code of dress that often presents mere images in place of deeply held sets of ideas or ideals.

[MN] 7 December 2021

Blaise Cendrars: ‘On Grammar’

I ignore and despise grammar, which is at the point of death, but I am a great reader of dictionaries and if my spelling is none too sure it’s because I am too attentive to the pronunciation, this idiosyncrasy of the living language. In the beginning was not the word, but the phrase, a modulation. Listen to the songs of birds!

– Blaise Cendars in Paris Review Interview, The Art of Fiction, no. 38.